"The voyage of discovery is not in seeking new landscapes but in having new eyes."
Marcel Proust (1871-1922)
Alberta Photography Workshops
My Macro Photography
© Adrian Thysse.
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Category Archives: Lightroom
While much of this former mill-worker’s home has been modernised, Key Cottage still has a corner that maintains some old world charm. This is the seat where I would read every morning before the others woke up. I added my canvas photo backpack and an old pair of ‘veldtskoene’, to further the feeling of pseudo-nostalgia. The area is fascinating, and there is much walking and exploring to do in the vicinity, so the props are realistic. I’ll do a more extensive review of our Éire trip someday, but this photo does bring back warm memories!
Click on the Ireland category below to see more of the photos from our family holiday.
A crowd of people were snapping shots of the horses as they were led to the barn, where they were placed in stalls with some feed. While they were being brushed down, I wandered around the building to find these windows, and the horse that would look up occasionally to peer outside.
Fort Edmonton, 14 September 2014.
My main use for macro is nature photography, particualry the phtography of insects, spiders and other invertebrates. But macro is good for bringing out the detail in almost anything. In this case a simple painted bolt in an old railway carriage, with the paint flaking, and the underlying wood now in decay.
Ballycarbery Castle is an ‘enter-at-your-own-risk’ property, and we did. Some of the lower chambers are still whole, so you could scramble up to a higher level. There is turf and small trees growing there, and on the lower walls some ancient ivy plants still cling, giving the ruin the feeling of an Arthur Rackham print, sans fairies. Unfortunately the tower has been locked, so we could not venture higher.
This is a vertical panorama of the interior of St. Aidan’s Cathedral in Enniscorthy, Wexford, Eire. It was designed by Augustus Welby Northmere Pugin (1812-1852) in the Gothic Revival style. Construction began in 1846, however, due to design problems, it was unable to be completed until 1871, when a smaller and lighter bell-tower was substituted for Pugin’s original overweight spire design. The latest restoration was in 1994.
Composed of six hand-held exposures, manual setting: ISO 2500, 1/60 sec. @ f6.3. Canon 5D Mk II with 24-105mm f4 L IS USM lens (@ 24mm). Images processed in Adobe Lightroom, assembled in Microsoft Ice and sharpened and de-noised with Nik software.
The stones that were used to construct Quin Friary were torn from the ruins of an earlier Anglo-Norman castle that was built by Thomas de Clare, Lord of Thomond in 1280. The Normans were no slouches when it came to castle-building, but only 6 years after its construction, Cuvea MacNamara and his clan, (avenging the death of a chieftain of the O’Liddy clan) stormed the fortress, killed the inhabitants, leaving the site, “...a hideous blackened cave“†. The MacNamara’s later invited the Franciscan Order to found a friary at the site in 1433. Although the Quin Abbey was included in the Henry the VII’s Dissolution of the Monasteries in 1541, the O’Brien inheritors of the abbey allowed the monks to remain as the building slowly decayed around them.When the MacNamara’s regained control of the friary in about 1590 they began restoring it, only to have it torn down by Cromwellian forces in 1651. In succeeding years it went through various waves of restoration and neglect, until it was finally taken over by the Board of Public Works in 1880.
†From an OPW info. panel at the friary.
(Photographed in Ireland on 29 April, 2014)